Marvel Television’s Agatha All Along emerged as both a critical and commercial triumph for Disney with its compelling storytelling and standout performances. Building on this success, Disney+ has submitted the series for Emmy consideration in an impressive 24 categories.

The series is vying for one of television’s highest honors, having been submitted for Outstanding Comedy Series. Leading the charge is Kathryn Hahn, who has been submitted for Outstanding Lead Actress in a Comedy Series for her return as the fan-favorite Agatha Harkness.

In the Outstanding Supporting Actress in a Comedy Series category, Disney+ has put forward a powerhouse lineup including Aubrey Plaza, Patti LuPone, Debra Jo Rupp, Sasheer Zamata, and Ali Ahn. Joe Locke has been submitted for Outstanding Supporting Actor in a Comedy Series.

Behind the camera, all three directors of the series — Jac Schaeffer, Rachel Goldberg, and Gandja Monteiro — have been submitted for Outstanding Directing for a Comedy Series.

Here are all the submissions for the series:

Outstanding Comedy Series

• Kevin Feige, executive producer
• Louis D’Esposito, executive producer
• Brad Winderbaum, executive producer
• Mary Livanos, executive producer
• Robert Kulzer, executive producer
• Jac Schaeffer, executive producer
• Trevor Waterson, co-executive producer
• Julie Herrin, producer
• Cameron Squires, producer

Lead Actress in a Comedy Series

• Kathryn Hahn

Supporting Actress in a Comedy Series

• Aubrey Plaza
• Patti LuPone
• Debra Jo Rupp
• Sasheer Zamata
• Ali Ahn

Supporting Actor in a Comedy Series

• Joe Locke

Directing for a Comedy Series

• Jac Schaeffer – Episode 107: “Death’s Hand in Mine”
• Rachel Goldberg – Episode 105: “Darkest Hour / Wake Thy Power”
• Gandja Monteiro – Episode 108: “Follow Me My Friend / To Glory at the End”

Writing for a Comedy Series

• Gia King & Cameron Squires – Episode 107: “Death’s Hand in Mine”

Music Composition for a Series (Original Dramatic Score)

• Christophe Beck and Michael Paraskevas – Episode 107: “Death’s Hand in Mine”

Original Music and Lyrics

• The Ballad of the Witches’ Road (Sacred Chant Version) – Episode 102: “Circle Sewn with Fate / Unlock Thy Hidden Gate,” written by Kristen Anderson-Lopez and Robert Lopez

Music Supervision

• Dave Jordan – Episode 102: “Circle Sewn with Fate / Unlock Thy Hidden Gate”
• Justine von Winterfeldt

Picture Editing for a Comedy Series

• Jamie Gross – Episode 101: “Seekest Thou the Road”
• Libby Cuenin – Episode 106: “Familiar by Thy Side”
• David Egan – Episode 107: “Death’s Hand in Mine”
• Dane R. Naimy and Jamie Gross – Episode 109: “Maiden Mother Crone”

Production Design for a Narrative Program (Half-Hour)

• John Collins, production designer – Episode 107: “Death’s Hand in Mine”
  • Drew Monahan, supervising art director
  • Monica Monserrate, set decorator

Casting for a Comedy Series

• Sarah Halley Finn, CSA
• Tara Feldstein Bennett, CSA (Atlanta casting)
• Chase Paris, CSA (Atlanta casting)

Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation

• Kim Foscato, supervising sound editor – Episode 105: “Darkest Hour / Wake Thy Power”
  • Paula Fairfield, sound designer
  • Daniel Laurie, ADR supervisor
  • Andre J.H. Zweers, sound effects editor
  • Kim B. Christensen, Foley editor
  • Fernand Bos, music editor
  • Mary Parker, music editor
  • Jana Vance, Foley artist
  • Ronni Brown, Foley artist

Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation

• Dick Hansen, production sound mixer – Episode 107: “Death’s Hand in Mine”
  • Juan Peralta, re-recording mixer
  • Danielle Dupre, re-recording mixer
  • Doc Kane, ADR mixer

Outstanding Cinematography for a Series (Half-Hour)

• Caleb Heymann – Episode 105: “Darkest Hour / Wake Thy Power”
• Jon Chema and Caleb Heymann – Episode 107: “Death’s Hand in Mine”

Outstanding Cinematography for a Series (One Hour)

• Isiah Donté Lee – Episode 108: “Follow Me My Friend / To Glory at the End”

Special Visual Effects in a Single Episode

• Kelly Port, visual effects supervisor – Episode 108: “Follow Me My Friend / To Glory at the End”
  • Tim Cunningham, visual effects producer
  • Dan Sudick, special effects supervisor
  • Joel Mitchell, special effects foreman
  • Michael Melchiorre, visual effects supervisor
  • Amy Elizabeth James-Wang, visual effects producer
  • Lilia Collar, lead compositor
  • Chris Norpchen, lighter
  • Chun Ping Chao, compositor

Stunt Coordination for Comedy Programming

• Marc Scizak, stunt coordinator

Stunt Performance

• Whitney Coleman, Agatha stunt double – Episode 101: “Seekest Thou the Road”
• Sarah Irwin, Rio stunt double

Fantasy/Sci-Fi Costumes

• Daniel Selon, costume designer – Episode 108: “Follow Me My Friend / To Glory at the End”
  • Christine Casaus, assistant costume designer
  • Maddison Carroll, assistant costume designer
  • Ambre Wrigley, costume supervisor
  • Greg Hopwood, costume illustrator
  • Marilyn Madsen, head of workroom

Period or Fantasy/Sci-Fi Hairstyling

• Cindy Welles, hair department head – Episode 109: “Maiden Mother Crone”
  • Shelia Cyphers-Leake, key hairstylist
  • Heather Morris, hairstylist

Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)

• Vasilios Tanis, makeup department head – Episode 109: “Maiden Mother Crone”
  • Erin LeBre, key makeup artist
  • Tana Medina, makeup artist
  • Amanda Sprunger, makeup artist

Outstanding Prosthetic Makeup

• Greg Nicotero, makeup effects designer – Episode 103: “Through Many Miles / Of Tricks and Trials”
  • Addison Foreman, key SFX makeup artist
  • Heather Beauvais, SFX makeup artist

Main Title Design

• Doug Appleton, creative director – Episode 101: “Seekest Thou the Road”
  • Greg Herman, creative director
  • Christian Haberkern, art director
  • Sagnik Sengupta, designer/animator
  • Vivian Amaro, designer/animator
  • Josh Hamester, editor