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After last week’s intense ending, which was full of reveals such as Dina finding out Ellie is immune and Ellie finding out Dina is pregnant, we have The Last of Us Season 2 Episode 5. It provides further growth in their relationship, which has a lot of catching up to do, and gives Bella Ramsey their defining moment as Ellie. It may not be the strongest episode, as some changes from the game will leave some fans scratching their heads, but it’s still a good episode that throws our characters into terrifying and heart-pounding scenarios. This episode opens up with yet another scene following the WLF that takes place before the events of the episode. It’s great to see more within the WLF and how they operate, the surrounding issues that they run into, but what makes this scene feel rather pointless in the grand scheme of everything is that it’s used to let the viewers know that B2 of the hospital is a contaminated zone with spores. It’s heartbreaking what we learn from Elise Park, but unfortunately it’s also irrelevant. The mere purpose of this scene is to only set up the grand final moments of the episode. A setup that isn’t necessary when the viewers are well aware of what spores are capable of and also have the knowledge that Ellie is immune. Fans of the show don’t gain anything from this conversation between Hanrahan and Elise, and fans of the game for sure don’t gain anything out of it. © HBO We continue from the aftermath of last week’s episode. Ellie and Dina are at the theater planning their next moves (Dina doing most of the planning because Ellie sucks at math, which is relatable). After coming from a hot and steamy moment between them, which felt like an odd placement for this moment to occur, the show continues to divert with Dina’s role and her relationship with Ellie. It allows for video game fans to go in and experience a new story, but also puts Dina under a light that feels like an assassination of not only her character but also Ellie's. We get to learn about Dina’s past and what happened to her family with the exclusion of any mention of her Jewish heritage, might we add, but this is a monologue that’s essentially used to enable Ellie to continue her crusade against Abby. This, alongside Ellie continuing to let a pregnant Dina join her as they make their way to the hospital, just feels out of character for Ellie. It showcases how strong their love for each other is (far stronger than the games), but it does lead to worry about what Craig Mazin and the writers of the show have in plan for their endgame. © HBO The issue of Dina travelling with Ellie continues to persist when they run into a herd of stalkers and are then rescued by Jesse, who Ellie for a moment believes to be Joel. Ellie has a few of these moments in the episode where she’s reminded of Joel, highlighting how his death still affects her. The only trouble is that the rage that Ellie should be feeling has felt nonexistent until the final moments of this episode. Ellie’s pain is felt; she’s grieving, but her rage towards Abby, the WLF and anyone who gets in her way is not present. With only two episodes left and the likelihood of the next episode being a flashback episode, it leaves a lot of worry about how rushed the finale may be. This episode continues with making the heaviest changes from the game. While Jesse finds his way to Ellie, it isn’t as explosive and action-packed. They encounter the Seraphites, but Ellie doesn’t have her grand moment fighting off a brutish Seraphite. It’s a lot of brutal, gritty, hardcore action that’s instead replaced with intense chase sequences and more deep character moments. There are a lot of new dynamics to work with, such as Jesse’s role at Jackson, which changes his attitude towards Ellie, and Tommy only having left Jackson to find Ellie and Dina instead of getting his own form of revenge on Abby. Craig Mazin has shown fans that he can be trusted with the show, but The Last of Us Season 2 Episode 5 does leave us worrying about how these character dynamics will affect them in the future and if it feels like we’re rushing to a finish line. Ellie gets her defining moment, which finally gives us the full, enraged Ellie we’ve been waiting to see. As a video game which is being adapted for television, there are expectations that things will change. Although it’s the weakest episode so far, the future of this season/show might make this episode one that we’ll look back on as the best thing to happen to the show or the worst thing. Rating: ★★★½ About The Last of Us The Last of Us . © HBO Premiere Date:   April 13, 2025 Episode Count:  7 Executive Producer/Showrunner: Craig Mazin, Neil Druckmann, Carolyn Strauss, Jacqueline Lesko, Cecil O’Connor, Asad Qizilbash, Carter Swan, and Evan Wells Writer: Craig Mazin, Neil Druckmann, and Halley Gross Director: Craig Mazin, Neil Druckmann, Mark Mylod, Peter Hoar, Kate Herron, Stephen Williams, Nina Lopez-Corrado Production:   PlayStation Productions, Word Games, Mighty Mint, Sony Pictures Television and Naughty Dog Distribution:  HBO Cast:   Pedro Pascal, Bella Ramsey, Gabriel Luna, Rutina Wesley, Kaitlyn Dever, Isabela Merced, Young Mazino, Ariela Barer, Tati Gabrielle, Spencer Lord, Danny Ramirez, Jeffrey Wright and Catherine O’Hara. Synopsis: Five years after the events of the first season, Joel and Ellie are drawn into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.

Natasha Lyonne is back as Charlie Cale in Season 2 of Peacock's Poker Face . If the first three episodes, which dropped on May 8, are anything to go by, then the show hasn't missed a beat. It's somehow funnier and more captivating than before, with plenty of avenues left to explore in upcoming episodes and future seasons. Season 2 picks up where Season 1 left off, with Charlie still on the run. So far, the main difference between the first and the second season is that Season 2 leans more into standalone episodes. Even though the end of episode two sets up the third, the stories remain largely self-contained, allowing each instalment to play with plot and tone while maintaining the show’s signature Columbo -style whodunnit structure. It’s a joy to watch. Episode One: "The Game is a Foot" © Peacock Written by Laura Deeley and directed by Rian Johnson, the season opener is a head-trip. Led by an exceptional turn, or rather five, from Cynthia Erivo, who plays quintuplets, The Game is a Foot  is a twisted tale of childhood fame, maternal manipulation, and deadly sibling rivalry. It’s a high-camp delight, with Erivo slipping into DJ Bebe, Professor Cece, manipulated Amber, and more, while Lyonne remains the sardonic heart of the episode. There were so many moments where I said out loud, “She is just so good at this.” Lyonne was born to play a character who is as equally inquisitive (she still calls “BS” the minute she hears it) as she is caring. The narrative is tightly plotted, akin to a murder mystery written during a fever dream that never misses a beat. Naturally, this episode is confusing in the best way and leaves you eager for more. It remains unclear why Peacock decided to release the first three episodes together, but it’s a decision you’ll be glad they made as you load up the second. Rating: ★★★★☆ Episode Two: "Last Looks" © Peacock Last Looks  is so entertaining, it almost makes you forget the recent news that Lyonne plans to make her feature directorial debut using “ethical AI” that is built on copyright-cleared data. Written by Alice Ju and Lyonne herself, and directed by Lyonne also, this episode is set inside a family-run funeral home turned film set. When a person goes missing, Charlie uses her skills of perception to unravel the mystery. If she instils claustrophobic-induced panic within you along the way, you'll be grateful for the experience. Katie Holmes – who will break your heart as a woman trapped in a marriage and suffocated by the death that surrounds her - and Giancarlo Esposito – who is easy to hate here as the workaholic husband who would rather murder another than watch his wife leave - make welcome appearances, but the real thrill is watching Lyonne act her way out of a literal coffin. While we know Charlie will always make it out alive, the stakes still feel high, which is a testament to the show’s ability to create nerve-wracking tension no matter the scenario. Lyonne is more than talented enough to transfer those directing skills to film, without the use of AI, and Last Looks proves it. Rating: ★★★★☆ Episode Three: Whack-A-Mole © Peacock Of the three episodes dropped simultaneously, this might be the most that feels like Poker Face , which is not a bad thing. On the contrary, it’s nice to see a TV series utilise different concepts and excel in whatever form it chooses to take across either of its seasons. Written by Wyatt Cain and directed by Miguel Arteta, Whack-A-Mole is centred on the mob with FBI rats, double-crosses, and John Mulaney as a sleazy fed on the mafia’s payroll. Mulaney gets the best lines, most notably calling Lyonne “prince of the city,” which is delivered so calmly it will make you howl. Elsewhere, Rhea Perlman is a joy as ever, and the supporting cast, including Simon Helberg and Richard Kind, round out another gripping 44 minutes that go by way too quickly. Rating: ★★★★☆ Poker Face Season 2 launches with complete confidence. Natasha Lyonne is as watchable as ever as Charlie Cale, meaning your enjoyment of the show will never falter so long as you take it for what it is. If anything, the episodes aren't long enough. About Poker Face Poker Face . © Peacock Premiere Date:  May 8, 2025 Episode Count:  12 Executive Producer/Showrunner: Tony Tost, Ram Bergman, Nena Rodrigue, Adam Arkin, Nora Zuckerman, Lilla Zuckerman Writer: Laura Deeley, Alice Ju, Natasha Lyonne, Wyatt Cain, Tony Tost, Kate Thulin, Taofik Kolade, Megan Amram, Tea Ho, Raphie Cantor, Andrew Sodroski Director: Rian Johnson, Natasha Lyonne, Miguel Arteta, Lucky McKee, John Dahl, Adam Arkin, Mimi Cave, Adamma Ebo, Clea Duvall, Ti West Production:  Animal Pictures, T-Street Distribution: Peacock Cast:  Natasha Lyonne, Adrienne C. Moore, Alia Shawkat, Awkwafina, Ben Marshall, B.J. Novak, Carol Kane, Cliff "Method Man" Smith, Corey Hawkins, Cynthia Erivo, David Alan Grier, David Krumholtz, Favionte "GaTa" Ganter, Ego Nwodim, Gaby Hoffmann, Geraldine Viswanathan, Giancarlo Espositio, Haley Joel Osment, Jason Ritter, John Cho, John Mulaneyy, Justin Theroux, Katherin Narducci, Katie Holmes, Kevin Corrigan, Kumail Nanjiani, Lauren Tom, Lili Taylor, Margo Martindale, Melanie Lynskey, Natasha Leggero, Patti Harrison, Rhea Perlman, Richard Kind, Sam Richardson, Sherry Cola, Simon Helberg, Simon Rex, Taylor Schilling Synopsis:   Poker Face  is a mystery-of-the-week series following Natasha Lyonne’s Charlie, who has an extraordinary ability to determine when someone is lying. She hits the road with her Plymouth Barracuda and with every stop encounters a new cast of characters and strange crimes she can’t help but solve.

Stephen Chbosky’s Nonnas  is a warm, nourishing hug of a film. Like any good Italian meal, it’s best savoured slowly, surrounded by good company, and definitely not watched on an empty stomach. (L-R) Susan Sarandon as Gia, Talia Shire as Teresa, Vince Vaughn as Joe Scaravella, Brenda Vaccaro as Antonella and Lorraine Bracco as Roberta in Nonnas . © Netflix Inspired by the real-life story of Joe Scaravella and his Staten Island restaurant Enoteca Maria, Nonnas centres on Joe (Vince Vaughn), who, after the loss of his mother and grandmother, is lost amidst the emptiness that follows death. He takes a gamble with his grief, using his mother’s life insurance money to open a restaurant staffed entirely by Italian grandmothers, each with their own regional recipes, memories, and wisdom. While I'm not Italian, the essence of these women is instantly familiar. Think the kind of grandmother who can silence a family feud with one look, heal a heartache with ragù, or charm anyone with a baked good. Think home. Vaughn delivers a grounded performance as a man quietly unravelling and rebuilding in his grief. "I don't know what tomorrow is supposed to look like," he says early on. That sense of being lost, in a real, familiar, quietly desperate way, will not leave you. However, it’s the four grandmothers, played by screen giants Susan Sarandon, Brenda Vaccaro, Lorraine Bracco, and Talia Shire, who are the heart and soul of this movie as they steal the show. They're complex, flawed, fiery women who clash, laugh, mourn, and mentor. Watching them navigate kitchen rivalries and share their personal histories is one of Nonnas' great joys, of which there are many. A heart-to-heart between them? Pure gold. I think I held my breath the entire time. It's the kind of scene that makes you realise how lucky we are to still have these legends on screen, being given the space to shine. Long may they reign. (L-R) Drea de Matteo as Stella, Linda Cardellini as Olivia, Vince Vaughn as Joe Scaravella and Michael Rispoli as Al in Nonnas. © Netflix Elsewhere, Linda Cardellini brings exactly the right balance of warmth and wit as Olivia, Joe's former prom date turned law student. Her character is a widow who looks after Vaccaro's Antonella (and vice versa). As Joe is unable to read his mother's letter, she is unable to move her wedding band from her ring finger. While it’s obvious that she’s there as a romantic interest for Vaughn, their chemistry becomes an emotional grounding force for both. She’s someone who understands what it means to start over, later in life, when you think you’re settled and unaffected by time and try again. Her line "Grief. It doesn't have a timeline, so why should we?" feels like the defining tagline of the movie. And then, of course, there’s the food. It's visually delicious, almost torturously so. Do not watch this hungry as I did. Every sizzling pan and bubbling sauce is filmed with such tenderness that the kitchen practically becomes its own character. It becomes a place where grief is stirred into sauce as the characters begin again in a shared understanding of what it means to love and lose. It’s impossible not to feel moved watching hands that have held generations now shaping something for themselves. Thematically, Nonnas  explores familiar terrain in grief, family, ageing, and starting over, but it does so with unusual sincerity. While you feel the characters' emotions, it never once tries to shock you or manipulate your tears. Instead, it invites you to sit at the table, listen to these women, and remember those you love, whether they are present or passed on. It's a Netflix original, so of course the story unfolds along predictable lines. You'll welcome those familiar beats, however, because Nonnas knows what it's doing. It's not trying to reinvent comfort food; it’s a welcome tribute to the women who fed us, held us, shaped us, and kept us whole no matter the circumstance. You’ll want to hug the women in your life afterwards, for here's to them. Maybe, if you’re lucky, they’ll tell you the story behind the sauce. If you’re luckier, perhaps you’ll learn of the ingredients. Rating: ★★★★☆ Nonnas . © Netflix About Nonnas Premiere Date:  May 9, 2025 Writer: Liz Maccie Director: Stephen Chbosky Executive Producers: Jay Peterson, Todd Lubin, Leah Gonzalez, Stacy Calabrese, Amanda Morgan Palmer, Scott Budnick, Ameet Shukla, Jody Scaravella, Pam Kirsch, Christopher Slager, Dan Guando, Vince Vaughn Production:   Fifth Season, 1Community, Madison Wells, Matador Content Distribution:  Netflix Cast:   Vince Vaughn, Linda Cardellini, Lorraine Bracco, Brenda Vaccaro, Talia Shire, Susan Sarandon, Joe Manganiello, Drea de Matteo. Synopsis: After the loss of his mother, a man risks everything to honor her by opening an Italian restaurant with a group of local grandmothers as the chefs.

The Brothers Son and Sex Education star, Alice Hewkin , has been cast in DC Studios Supergirl: Woman of Tomorrow . Hewkin will be playing a Sklarian Raider in the upcoming DC film. There are no other details regarding the role. Sklarian Raiders are not featured in the Supergirl: Woman of Tomorrow comic written by Tom King. Created by Paul Levitz, Bob Wiacek and James Sherman, the Sklarian Raiders  are a group of spacefaring female pirates, first appearing in  Superboy and the Legion of Super-Heros No. 223 (1977). Originating from the planet Sklar, they are known for attacking and pilfering science outposts and research lab seeking high-tech equipment to help their struggling world. Initially depicted as thieves, the Sklarians are often portrayed in a morally gray light. Hewkin joins the cast led by House of Dragons ’ Milly Alcock as Supergirl/Kara Zor-El along with Matthias Schoenaerts ( Rust and Bone ) as the villain Krem of the Yellow Hill, Eve Ridley ( 3 Body Problem ) as Ruthye Mary Knolle, Jason Momoa as Lobo, and David Krumholtz ( Oppenheimer ) and Emily Beecham ( 1899 ) as the parents of Kara Zor-El. Supergirl: Woman of Tomorrow is directed by Craig Gillespie from a script penned by Ana Nogueira. The film is based on Tom King’s 2022 Eisner winning comic book series of the same name, which is illustrated by the legendary Bilquis Evely. Principal photography began on January 13, 2025, at Warner Bros. Studios Leavesden. Alice Hewkin is represented by Independent Talent Group.

If I had to pick a standout aspect of X-Men  #16—outside of one specifically exciting moment—it would be the action. Jed MacKay wastes no time delivering exactly what many fans show up for in a superhero comic: high-stakes, superpowered battles. And this issue doesn’t disappoint, pitting the X-Men against... the X-Men. Well, not the real X-Men. If you recall where we left off, the villainous group known as 3K made their move, manipulating a young mutant girl into becoming a monstrous threat and deploying their own handpicked strike team, claiming to be the X-Men. These six individuals are strangely unique—adults whose X-Genes were artificially activated, much like others we've encountered earlier in the series. This new "X-Men" team seems to have been brainwashed or manipulate by 3K into believing they  are the rightful heirs to the mutant legacy, while the original X-Men are relics or outright villains. It’s the kind of ideological twist that could feel thin—but in execution, the fight proves they’re no joke. Despite boasting powerhouses like Magik, Juggernaut, and Psylocke, the real X-Men find themselves on the defensive fast. What makes this more effective is that throughout the series, Cyclops has often hyped up his team's power, using them as a threat or deterrent. Watching them genuinely struggle in this issue drives home the threat posed by the 3K mutants—and raises the stakes in a satisfying way. The conflict escalates so severely that the team is forced to abandon their mission to stop the mutated girl threatening Merle, Alaska, just to survive the encounter.  But hope arrives from the home front. Back at base, Beast reveals he’s developed a temporary solution to R-LDS—the resurrection-linked degenerative sickness plaguing mutants post-Krakoa. Specifically, it’s what’s been keeping Magneto from accessing his powers. Admittedly, the entire resurrection sickness concept still feels like a bit of a stretch, but I won’t lie: seeing Magneto rise again in full command of his abilities is a moment. And when he immediately uses that power to take control of a Sentinel husk and march it into battle, it’s pure spectacle—the kind of oversized, cinematic beat that reminds you why you read X-Men in the first place. Narratively, not a ton of plot is advanced this issue, but the action is so well executed that it hardly matters. The X-Men are pushed to their limit, and it feels earned. The cliffhanger surrounding the fate of Merle is a perfect hook, and I’ll definitely be back next issue to see what happens to both the town—and our heroes. Release Date:  May 07, 2025 Written by:  Jed Mackay Art by: Netho Diaz Cover by: Ryan Stegman Page Count: 26 Synopsis :  MEET THE ALL-NEW, ALL-DIFFERENT X-MEN? There are mutants who call themselves X-Men in Alaska and Louisiana and Chicago. But as Cyclops' team find themselves in more than one set of crosshairs dealing with a mutant crisis in Alaska, a new group of enemies make themselves known: They are the X-Men, who are sponsored by 3K in their bid for possession of the future of mutantkind!

When I first saw the cover of Ultimate Wolverine  #5 featuring Sabretooth, I thought I had a pretty good idea of what I was in for. I was completely wrong. Once again, Condon delivers a surprising and powerful entry that continues to reshape Wolverine’s story in the evolving landscape of the Ultimate Universe. One of the things I’ve come to truly appreciate about Ultimate Wolverine  is that it isn’t just about Logan, it’s about the people and the world surrounding him. Each issue introduces new characters and expands the scope of this reimagined universe, while also peeling back the layers of the Winter Soldier’s tangled past. In short, every installment feels fresh and essential. Interestingly, Wolverine himself doesn’t appear until several pages in. Instead, we begin with a version of Sabretooth unlike any we’ve seen before. He’s older, grizzled, and surprisingly kind—running a bar in the heart of the Eurasian Republic. Despite being in what can only be described as enemy territory, Creed is revealed to be a key ally of the resistance fighting against the Rasputins, offering sanctuary to mutants on the run. Two of those mutants are Artie and Leech, longtime characters in the Marvel Universe who’ve somehow remained children over the years through stories. Artie possesses unique telepathic abilities, while Leech can suppress the powers of others, abilities that may make them prime targets in this universe. Sabretooth hides them in his bar, awaiting help to smuggle them out of the city. But before that help arrives, the worst happens. The Winter Soldier—Wolverine—finds them. Though his appearance is altered, Sabretooth immediately recognizes Logan by his scent. To Creed, he’s not an enemy, but an old friend. Unfortunately, Logan, under heavy telepathic manipulation, attacks without hesitation. What follows is a brutal, tragic fight between two healing-factor-enhanced warriors, impaling and dismembering each other in a way only they can survive. As they clash, we’re given flashes of their shared past moments of camaraderie and vulnerability. In a specifically painful memory, Logan confides in Creed his greatest fear: being captured and used as a weapon. He asks Creed to make him a promise to end his life if that ever happens. That promise hangs over every bloody blow and makes the battle feel far more tragic than thrilling, making me wince at every panel. This isn’t the Logan Sabretooth knew. He’s changed, corrupted, and nearly kills Creed before the timely intervention of Black Widow and Leech, whose power finally allows them to subdue Wolverine and stop the madness. The issue ends on a hopeful, breath-stealing note. With Logan in their custody, there’s a sense that he may finally reconnect with fragments of his past—and maybe even reclaim a piece of himself. It’s a thrilling, emotional, and surprisingly tender issue, balanced with just the right amount of action and humor. I’m fully locked into this series, and at this point, I’m close to calling it my favorite Marvel ongoing. Condon and the creative team are crafting something truly special here. And one thing’s for certain: I’ll be following it all the way to its ultimate end. Release Date:  May 07, 2025 Written by:  Christopher Condon Art by: Alex Lins Cover by: Alessandro Cappuccio Page Count: 27 Synopsis :  ULTIMATE SABRETOOTH CLAWS HIS WAY ONTO THE SCENE! Mysteries of Ultimate Wolverine's past are revealed when a familiar face joins the fray!

If I’m being honest, I don’t even know where to begin with Storm  #8. There’s so much happening in this issue—in the best possible way—that readers will have plenty to unpack. The mission that brought Storm to Brazil, and into conflict with other Storm gods, comes to a temporary close as she and Thor recover the ashes of the missing scientist she was sent to find. As they work, Thor warns her of an impending threat: an ancient and powerful thunder god whose existence endangers even abstract cosmic entities. This being has already thrown the divine pantheon into civil war. We’ve long known Storm would be drawn into a battle of cosmic proportions, but Ayodele continues to escalate the stakes with each issue. Despite Thor’s caution and his offer of aid, Ororo turns him down—whether out of confidence or pride is unclear. Either way, it’s a decision that may haunt her, as the looming threat seems far greater than what any one god—or mutant—can face alone. Storm, however, has more immediate concerns. Her battle this issue isn’t with gods or monsters, but with the U.S. government itself. Summoned to FBI headquarters, she’s interrogated about the radiation incident from issue #1—the disaster that launched her current journey. It's a well-placed callback that highlights just how far her story has progressed. © Marvel Comics One of the most compelling aspects of this issue is the introduction of the agents conducting her interrogation, especially Special Agent Fabiyi—an alien, surprisingly—whose dedication to their mission borders on obsession. The agents pull out all the stops to unnerve Ororo: from selecting an environment that puts her on edge to probing questions about her traumatic past, everything is designed to box her in. Despite her composure, things quickly spiral. Storm’s perception is manipulated by Fabiyi in what appears to be some sort of telepathic attack, and it’s revealed that she secretly aided Charles Xavier during his time as a fugitive (referencing X-Manhunt ), placing her in direct opposition to the U.S. government. This revelation sets the stage for a shocking confrontation as Fabiyi and their team violently turn on her. On a side note, it's worth praising Murewa Ayodele’s commitment to the broader cast. We’re treated to brief but meaningful scenes featuring fan-favorites like Manifold, Gateway, and Maggot—last seen in the previous issue—as they prepare for their own coming battle, featuring some of Marvel’s greatest powerhouses, unbeknownst to Storm. The art in this issue is phenomenal, as is expected from Werneck, and I have to mention how much I loved the braids given to Storm to replace the hair she lost in her previous battle. All things considered, Ayodele is crafting a saga that can only be described as epic. Storm  is being pulled through every corner of the Marvel Universe, and in the process, she’s being firmly positioned within its divine hierarchy. If Ayodele is given the space to tell this story in full, it could go down as one of Storm’s defining runs. © Marvel Comics Release Date:  May 07, 2025 Written by:  Murewa Ayodele Art by: Lucas Werneck Cover by: Mateus Manhanini Page Count: 24 Synopsis :  STORM does not lie. We all know that. But in the aftermath of the X-MANHUNT, STORM has been put under investigation by the F.B.I.! Will STORM have to perjure herself or face jail time for assisting fugitive CHARLES XAVIER? Meanwhile, MAGGOTT enjoys having to run the STORM SANCTUARY solo - using the opportunity to organize an MMA-style battle of the POWER-SHIFTERS (SHE-HULK, JUGGERNAUT, GENTLE, BIG BERTHA, etc.). Who will come out on top?

If you read my review of Psylocke  #6, you already know I’m a fan of this series. What I didn’t expect was for Alyssa Wong to pull me even deeper into Kwannon’s story—without pausing for breath—and deliver an issue that lends more to a horror film than a traditional comic. Issue #7 picks up right where we left off, with Psylocke, Magik, and Rogue confronting Deathdream, a young mutant with the power to commune with the dead. He’s been corrupted by the malevolent force that’s been haunting Psylocke—and now it threatens to take him completely, fighting off the women in the process. The tension is palpable, especially for readers familiar with the complicated dynamics between Psylocke’s X-Men team and Rogue’s Uncanny X-Men . These aren’t squads known for working smoothly together as of recent events. As the story unfolds, the entity possessing Deathdream taunts Psylocke with memories of her past. These visions introduce us to Mitsuki, a young girl who trained alongside Kwannon as a child in the art of ninjutsu. In a flashback, we learn Mitsuki once confided in Kwannon that she could see and speak to Yokai—spirits, monsters, or demons from Japanese folklore. It’s a fascinating reveal, especially for fans aware of alternate-universe Psylocke stories where she appears as a Yokai hunter. But this is more than just backstory. It turns out the ghost haunting Kwannon might be Mitsuki herself, the very friend she swore to protect but ultimately forgot. As the possessed Deathdream is subdued, Mitsuki emerges as the true source of the haunting, wearing Kwannon’s face and seemingly seeking revenge for a forgotten promise. Wong crafts an emotional, haunting narrative for a character who has long lacked the autonomy to explore her history and identity. That emotional weight is only deepened when two of Kwannon’s closest confidants—Devon, her tech-savvy sidekick, and her lover John Greycrow—express concern for her well-being, only for her to lie to both about what’s happening and what she plans to do next. Having followed Kwannon and Greycrow’s relationship since Hellions , this moment hit hard. © Marvel Comics The issue closes with Psylocke returning to her childhood home of Kyoto, ready to confront the ghosts of her past—alone, if necessary. If you’re not already reading Psylocke , consider this your psychic wake-up call. Like a knife to the mind, Psylocke  #7 is the focused totality of what a character-driven comic should be: deeply personal, emotionally rich, and unafraid to push its protagonist into the shadows to find the light. © Marvel Comics Release Date:  May 07, 2025 Written by:  Alyssa Wong Art by: Vincenzo Carratu, Moises Hidalgo Cover by: Mahmud Asrar Page Count: 25 Synopsis :  Something is haunting Psylocke! A ghost? A demon? A memory? Can Psylocke and Magik get to the bottom of this metaphysical mutant mystery? And how will Rogue take it when a contingent from the rival X-Men team arrives in Louisiana to speak with DEATHDREAM?

© Marvel Comics Disclaimer: This review contains minor spoilers for Deadpool Kills the Marvel Universe One Last Time #2. First and foremost, this is hardly Deadpool’s first foray into mass murder of his fellow Marvel characters. Circa 2011, author Cullen Bunn penned the four-issue Deadpool Kills the Marvel Universe , wherein an asylum-bound Deadpool is mentally manipulated by the villain Psycho-Man in an attempt to silence the pair of inner voices - similar to the new-age concept of the Higher Self and/or Shadow Self  - who advise and keep him company. In order to escape from captivity, Deadpool goes on a killing spree. Likewise, circa 2017, a five-issue mini-series (also written by Bunn) called Deadpool Kills the Marvel Universe Again  was released. Once again, Deadpool is mentally manipulated (this time, by MODOK) into killing his teammates, whom he has been programmed to “ see … as bright, fun-colored enemies .” “Dueling Voices In My Skull” Fast-forward to 2025: Cullen Bunn is back with a third four-issue installment, aptly titled Deadpool Kills the Marvel Universe One Last Time . In the premiere issue (released April 2nd), Deadpool, aka Wade Wilson, aka the ‘Merc With a Mouth,’ whose superhuman regenerative abilities put him on par with fellow Canadian superhero Wolverine (Logan) in terms of killability (hence the concept behind pairing them together for the 2024 Phase 5 MCU film, Deadpool vs. Wolverine , starring Ryan Reynolds as the mouthy merc and Hugh Jackman as Wolverine), is tasked by a mysterious Watcher-esque character called Alphea to “Kill a litany of twisted heroes throughout the multiverse and save all reality” in exchange for “a chance at redemption” and potentially an end to his “unending disaster” of a life. He said what he said. © Marvel Comics Unlike the first couple of go-arounds, the “heroes” that Alphea wants him to take out en masse are legitimately “twisted.” In the super-secure city of Birnin Zana in Wakanda, for instance, Deadpool assassinates King Killmonger shortly after nightfall, wherein citizens are kept under restrictive curfew by their fascist overlord. Naturally, he cannot resist firing off one of his typical quips: “Wow, not even gonna try to avenge this king, huh? Telling.” Eventually, Deadpool finds himself battling HYDRA Supreme Captain America, who turns into a werewolf. Likewise, though murdering a slew of HYDRA subordinates is not “on the list,” per Alphea, Deadpool insists on doing so to maintain “Work-life balance” during his “multiversal murder tour.” “Werewolves of Fascism” (“A-OOOOOOO!”) Eventually, Alphea reveals that another mysterious being called Flux Paradoxica is gathering the “twisted” heroes on Deadpool’s latest hit list for reasons yet unknown. Like Alphea, Flux Paradoxica is seemingly new to the Marvel multiverse. One wonders whether there is a potential connection to either Alpha the Ultimate Mutant  and/or Flux , a U.S. Army soldier who transforms into a “misshapen” Hulk-esque creature. Likewise, it is curious that the Deadpool Kills the Marvel Universe One Last Time  mini-series is not branded with the “ One World Under Doom ” event header that the vast majority of current Marvel comic runs seem to be, including the Superior Avengers  mini-series, wherein a collection of multiversal villain variants - Abomination, Doctor Octopus, Killmonger, Ghost, Malekith, and Onslaught - serve as Doom’s dubious peacekeepers in TRN (Temporal Reality Number) 1581, seemingly following the destruction of TRN-1580, and almost certainly with their own hidden agendas. Could Flux Paradoxica be Doctor Doom in disguise? Only Bunn, et al currently know for sure! It is notable that Alphea’s yet mysterious motives appear to involve saving the multiverse - especially TRN-616 aka the Sacred (main) Timeline - rather than destroying it by getting ahead of Flux Paradoxica. It is also interesting, though potentially inconsequential, that variants of Killmonger and Doctor Octopus appear in both Superior Avengers  and Deadpool Kills the Marvel Universe One Last Time , the latter having swapped bodies with Spider-Man - he blows up via grenade mid-gloat. Alphea is yet vague on precisely how Deadpool will either earn his redemption through mass murder or be destroyed by Flux Paradoxica. “You’re not going after her directly because … I don’t know if you can say she’d ‘kill’ you, but you most certainly wouldn’t exist any longer.” Nonetheless, that Deadpool trusts her enough to do her bidding is fascinating. Perhaps, as the premiere issue explains, the fact that a stockpile of other Deadpool variants have already tried and failed to do the job is a motivating factor. “Better Punch the Clock” Like his silver screen counterpart, comic Deadpool is fun even while mired in murder-for-hire, though there is a deep pathos and suffering inherent in his tragic backstory that infuses his wise-cracking and Fourth Wall-breaking with empathy. Deadpool Kills the Marvel Universe One Last Time  feels more nuanced and less contained than its predecessors, as though Bunn has challenged himself to turn the rules he’s previously established on their metaphorical ear. In the aforementioned Deadpool vs. Wolverine  movie, Deadpool fights to preserve his own universe and the handful of precious friends he’s made in it. Unfortunately, per Alphea, “Your universe is a lost cause.” Thus, this Deadpool seems to fight for himself in the form of redeeming his Soul or some such for all of the comparatively ‘innocent’ lives he’s taken. Fortunately, two issues remain, which Alphea promises “won’t be getting easier … and the targets on your kill list are only going to get bigger and badder.” Next up: Deadpool lingers at the heavily graffitied gates of the dilapidated Xavier School For Gifted Youngsters - to be continued! Rating: ★★★★☆ © Marvel Comics About Deadpool Kills the Marvel Universe One Last Time #2 Release Date:  May 7, 2025 Written by:   Cullen Bunn Art by: Dalibor Talajic Cover by: Davide Paratore Page Count: 25 Synopsis : Wade Wilson has a lot weighing on his conscience, like a universe's worth. In fact, like a specific universe's worth… What kind of evil could Deadpool destroy to even that out? And why is this universe's S.H.I.E.L.D. dressed in HYDRA unifo-? Oh… That'll work.

© Marvel Comics Disclaimer: This review contains minor spoilers for ‘Star Wars #1’.  Star Wars #1 , written by Alex Segura and with art by Phil Noto, opens a nebulous, but short, amount of time after the events of Return of the Jedi . The Empire has been defeated, but that doesn’t mean there is peace in the galaxy far, far away. This becomes clear in the opening scene: Luke Skywalker and his fellow pilots are protecting New Republic cargo ships from pirates when they are unexpectedly ambushed. The pirates have somehow gotten their hands on an Imperial Star Destroyer, outgunning the New Republic forces by a considerable order of magnitude. Meanwhile, Princess Leia and Chancellor Mon Mothma struggle to negotiate with the reluctant leaders of Pirrosi, who see the New Republic as weak. Concurrently, Han Solo is on a mission of his own involving his old friend, the cyborg Bielert Valance. These three storylines are currently separate but will undoubtedly come together as they unfold.  The way the stories are interwoven is almost cinematic in nature. The scenes cut back and forth as if on the big screen, one line from one character in one scene leading into another line in a scene happening elsewhere. It’s compelling and helps tie the storylines together. Something big is starting to brew in this part of the galaxy and writer Alex Segura does a phenomenal job building suspense. Phil Noto’s art is crisp and clean, lending itself well to the theatricality of the formatting.  Interwoven Narratives © Marvel Comics The main conflict of the issue centers around the New Republic’s negotiations with the Pirrosi. After twenty years of Imperial rule and a short and messy period of New Republic clean-up, the leaders of Pirrosi are rightfully cautious of becoming a small fish in a very, very big, bureaucratic pond. Leia’s diplomacy in action is interesting to watch, often a succinct combination of the approaches of her birth parents. In fact, Kezrin Almovar, the Prime Minister of Pirrosi, even goes so far as to accuse Leia of being a threatening bully. While the readers certainly know Leia’s altruistic motivations and the content of her character, it’s easy to understand why, in-universe, others would be reluctant to trust her. As the figurehead of the fledgling galactic government, Leia has a lot on her shoulders and a very public image. It’s up to her to make sure the optics of the New Republic are inoffensive, and she does not always succeed, something Almovar demonstrates by singling out former Imperial officer turned New Republic councilor Kith Alaytia.  While Leia is flexing her diplomatic muscles, Luke’s mission is more straightforward, but no less surprising. Pirates with the firepower of the fallen Empire are not to be taken lightly, and Luke’s natural heroics predictably lead him into trouble. Han has the smallest amount of “screen time”, but his reunification with Valance is the beginning of a plot that will undoubtedly tie back into Luke and Leia sooner rather than later.  Star Wars #1  is a strong start to a new series. While this period of time, directly post- Return of the Jedi , has been explored here and there, a distinct and dedicated story is welcome. Segura’s writing is engaging, and the cinematic layout choices add to the immediacy of the action. It will be interesting to see how things unfold, and what other trials our heroes will yet encounter.  Rating: ★★★★☆ © Marvel Comics About Star Wars #1 Release Date:  May 7, 2025 Written by:  Alex Segura Art by: Phil Noto Cover by: Phil Noto Page Count: 29 Synopsis : AN EPIC NEW ADVENTURE BEGINS FOR LUKE, LEIA AND HAN IN THE WAKE OF RETURN OF THE JEDI! New York Times best-selling author ALEX SEGURA launches the bold next era of STAR WARS. LUKE SKYWALKER must defend the NEW REPUBLIC from a bloodthirsty gang of mercenaries! HAN SOLO investigates a deadly underworld mystery - and saves a surprising ally! LEIA ORGANA must grapple with a new alliance opposed to the goals of the New Republic!

© Marvel Comics The adorable quadruped, Jeff the Landshark, has been a fan-favorite in Marvel’s lineup since he debuted in West Coast Avengers #7 . From his first appearance as a creature resulting from M.O.D.O.K.’s evil experiments, to being developed into a recurring character by Kelly Thompson and Daniele di Nicuolo, to his artistic redesign by Gurihiru, to his turn as a playable character in the video game Marvel Rivals , Jeff has gone on many adventures with many of the Marvel Universe’s biggest names. These adventures come in the form of vertical-scrolling online comics, several of which have been complied in It’s Jeff: Jeff Week #1 .  It’s Jeff: Jeff Week #1  follows our titular landshark as he navigates the world alongside Kate Bishop, Gwen Poole, Hulk, Iron Man, and Dr. Strange. In short, dialogue-less stories, Jeff not only builds a snowman, steals food from Hulk, and outwits Iron Man, but he also becomes a hero! Each story stands alone, each one a small handful of panels showcasing the charm of the similarly-small shark.  Jeff outwits Professor Hulk © Marvel Comics Like his cold-blooded counterpart Alligator Loki, Jeff’s adventures are a light-hearted welcome in a comic world that has otherwise been skewing somewhat darker with its One World Under Doom  event sprawling across multiple titles. Jeff is a reminder of the fun that can be had with these characters, a way of maintaining a level of adorable absurdity. There’s even a certain pathos to be had in the ‘Parade Escapade’, wherein Jeff sees an enormous parade balloon depiction of his evil creator, M.O.D.O.K., and attacks it like the tiny yet mighty hero he is. Jeff’s heroics are not all Avengers-level. In ‘Goslings, and Goslings, and Goslings, Oh My!’, Jeff protects a gaggle of baby geese while reuniting them with their mother. His strong protective instincts are also on display in ‘Jeff on Ice’, where he rescues a dog from a cold, wet fate.  Artist Stefano Casali, who is credited with giving Jeff his name and moving him from a one-shot visual gag to a bonafide fan favorite, has stated she based the character on her cat. Jeff certainly exhibits cat-like confidence, though it is interspersed with puppy-like enthusiasm, particularly for food. Readers can see their own beloved companions in Jeff and his antics, and the wholesome fun feels like a warm hug for the mind.  Jeff and the Infinity Comics  series from which he and this compilation fully hale exist outside established canon in the best possible way. The multiverse is never so enjoyable as when the writers and artists embrace silliness and really have fun. Having him partially belong to a timeline-hopping character like Gwen opens up an unlimited wealth of opportunity. Jeff even has additional titles coming to print, with Jeff the Landshark  in June, and It’s Jeff! Infinity Paws #1  set to be released in July. With his well-earned popularity, Jeff should be continuing to have adventures for a long, long time.  Rating: ★★★★★ © Marvel Comics About It's Jeff! Jeff Week #1 Release Date:  May 7, 2025 Written by:   Kelly Thompson Art by: Gurihiru, Gustavo Duarte Cover by: Gurihiru Page Count: 48 Synopsis : WREAKING HAVOC ON LAND AND SEA…IT’S JEFF! Follow everyone’s favorite land shark as he spreads his charming chaos across the Marvel Universe! For the first time collected, you can read issues #25-36 of Kelly Thompson and Gurihiru’s original IT’S JEFF infinity comic, plus five delightful tales from Gustavo Duarte’s JEFF WEEK! Jeff tags along for some adventures with fan-favorites like the X-Men, Spider-Man, Hulk, and many more! But don’t underestimate this little shark – his adorable antics may cause more of a comm-ocean than these heroes can handle… COLLECTING: It’s Jeff Infinity Comic (2021) #25-36, Jeff Week Infinity Comic (2024) #1-5.

If you ever wondered what an R-rated Disney Channel movie would be like, look no further than Summer of 69 on Hulu. The coming-of-age comedy follows the nerdy high school senior Abby Flores (Sam Morelos) on a quest to win her heart's desire, the affection of the most popular boy in school, Max Warren (Matt Cornet). Upon the revelation that he is now the high school's most eligible bachelor, she turns to the stripper Santa Monica (Chloe Fineman) for guidance as she plots to seduce the boy of her dreams. Along the way, Abby learns about her desires and what truly matters as her tutelage under Santa Monica blossoms into an unexpected sisterhood. Summer of 69 is not at all what I expected. It is something much better: a hilarious, insightful film about growing up, acceptance, and confidence. The teen comedy is the directorial debut of actress, comedian, and screenwriter Jillian Bell, and an intimate demonstration of what she is capable of behind the camera. Bell delivers a gut-busting film with real emotions attached, masterfully entertaining viewers while connecting with them through clever writing and relatable performances, guaranteed to leave lasting impressions. The Dynamic Duo Sam Morelos and Chloe Fineman make a compelling case for how they could be the best comedic duo on screen in spring 2025. If you told me that this girl from That 90's Show and this Saturday Night Live comedian would have so much chemistry in a movie about a girl being mentored by a stripper, I would have questioned your sobriety. Having seen them together, I will admit to the pair being an unstoppable force of wit and wonder. © Hulu Sam Morelos captures the innocence and awkwardness of Abby Flores in a way many shy teenage girls can relate to. We immediately get a first impression of her in the opening scene. Her on-screen presence sets the tone of the movie, and no time is wasted on her introduction. As for Chloe Fineman, she exudes confidence, courage, sex appeal, and spontaneity as Santa Monica. She has everything Abby is looking for, plus some insanity. Imagine Cinderella's fairy godmother not being available, so she gets a drunk fun aunt instead. That's exactly what you get with Santa Monica. Abby is the yin while Santa Monica is the yang. Although they are not in conflict for all eternity, they are opposite souls who need each other for balance. Seeing them work together and learn from each other on their way to becoming friends is equally entertaining and compelling. Their chemistry is palpable, though their bond is unorthodox, you can easily feel the sisterly bond as it organically develops throughout Summer of 69 . The Back-Up Squad © Hulu The supporting cast are mostly extensions of Fineman's character, Santa Monica, but they do have the right flavour to complement both of the leading ladies. Paula Bell, Nicole Byer, and Liza Koshi are unfiltered and fierce as a neurotic support system. Their screen time with Morelos and Fineman feels like women enthusiastically talking nonsense, enjoying each other's company at a hair salon, a very cheap one, though. The rest of the cast comprises Abby's parents, who are absent in the majority of the film, a creepy antagonist played by Charlie Day, and Natalie Morales as Fineman's nemesis. Finally, there is Matt Cornet as the legendary Max Warren, who is more of a plot device than a character. Summer of 69  Goes Hard & Deep Comedy has been a crippled film genre for years. For too long, it has been oversaturated with jokes that completely miss the target because they do not know where it is. Summer of 69 does not have that problem as the talent is allowed to be organic and collaborative to have their risks pay off. The movie is surprisingly sympathetic as the focus is not on telling dirty jokes for the sake of checking off boxes for an R-rated comedy. What we see is a ballad to young girls not only finding, but also accepting themselves, in an age when sex is all on anyone's mind. Jillian Bell and her team accomplish exactly what they set out to achieve with this movie because they are passionate and unapologetic in their resolve to deliver a raw, substantial coming-of-age tale. Rating: ★★★★☆ © Hulu About Summer of 69 Premiere Date:  May 9, 2025 Maturity Rating: R Executive Producer: Jeremy Garelick, Will Phelps, Molle DeBartolo, Jillian Bell, Breanna Bell-Singer, Matt Skiena, Adam Goodman, and Lucas Carter Writer: Jillian Bell, Liz Nico, Jules Byrne Director: Jillian Bell Production:  American High, Dichotomy, Champagne Video Distribution:  Hulu Cast:   Chloe Fineman, Sam Morelos, Matt Cornett, Nicole Byer, Liza Koshy, Natalie Morales, Alex Moffat, Fernando Carsa, Paula Pell, Charlie Day Synopsis: An awkward high school senior hires an exotic dancer to help seduce her longtime crush before graduation, leading to unexpected friendship and lessons in self-confidence, acceptance, and adulthood.