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© Marvel Marvel Zombies is a bloody treat for fans craving more visceral, unapologetically gruesome productions from the Marvel Cinematic Universe, or multiverse in this case. The series spawned out of the What If...? episode What If... Zombies?!, where a virus plagues Earth's population, turning most people into zombies, including Earth's mightiest heroes. It is also loosely based on Marvel's comic book series of the same name. Marvel Animation's new iteration follows Kamala Khan, Shang-Chi, Spider-Man, and a much edgier Moon Knight, alongside other familiar faces, as they fight to survive the wasteland Earth has become and put an end to the epidemic. Marvel Zombies is not only a production for fans who crave more mature content, but it's also for those who want to be entertained by a great story without worrying about how it connects to the MCU. The series is not linked to anything other than the What If...? episode it originated from. The self-contained tale masterfully subverts expectations with twists guaranteed to give the audience whiplash. Despite having the same boring 3D animation style as What If...? Zombies has breathtaking visual sequences and beautiful brutality under its belt. The ensemble cast, voicing the roles they were born to play, is the icing on the cake. Earth's Mightiest Survivors © Marvel Iman Vellani, Simu Liu, David Harbour, Awkwafina, Elizabeth Olsen, Randall Park, Florence Pugh, Paul Rudd, Wyatt Russell, Tessa Thompson, Hailee Steinfeld, and Dominique Thorne return to voice alternate versions of their characters in this post-apocalyptic world. Todd Williams voices Blade, who, interestingly, is the aforementioned edgier Moon Knight. We probably won't see Mahershala Ali as Blade anytime in the near future, but at least we get Williams' "Blade Knight" as a consolation prize. His portrayal as Blade checks off all the boxes for the Daywalker. His new role as Moon Knight only serves one purpose storywise, but we can't get into that without discussing spoilers, so let's move along. He was quietly confident, charismatic, and deadly. Almost half of the blood can be traced back to the foes who fall by his hand. Simu Liu and Awkwafina are back as the two halves of the same person, playing Shang-Chi and Katy. Their chemistry not only complements each other, but the entire cast. They offer a different perspective on the plague as regular working-class citizens, relatively speaking. Seeing the outbreak through their eyes, their turmoil, and their interactions with fellow survivors proved to be an immersive experience as they represent people like us trying to survive Hell on Earth, most of all. If the youth inherits the Earth, then Iman Vellani already has a head start. She is rightfully the star of the show as Kamala Khan/Ms. Marvel. She leads with a refreshing innocence and a courageous personality, serving as a reminder that hope shines through, no matter how dark everything seems. Despite being that beacon of hope, there are moments when she herself succumbs to despair that are devastating to witness, but the way she pushes through the pain is a testament to the resilience of the human spirit that will be discussed for years to come. The Queen of The Dead Lives! © Marvel Elizabeth Olsen voices a deadlier version of Wanda Maximoff, who wants nothing more than dominion over the damned. Wanda has a history of toeing the line between good and evil while battling her demons. Her ethics are usually debatable; however, that is not the case here. She is undeniably evil. Anyone who thought Wanda was the most terrifying in Doctor Strange: Multiverse of Madness would be mistaken. The Scarlet Witch in that movie is a tiny mouse, compared to the unholy beast that is the Red Queen. The way the Red Queen is possessed by Elizabeth Olsen is frighteningly encapsulating. Marvel Zombies Is A Welcomed Bloody Mess © Marvel Marvel Zombies is going to catch many fans and casual viewers by surprise with its storytelling, performances, and dynamic visual sequences. The animated series lives up to the premise of being Marvel's version of The Walking Dead, and fulfills the promise of delivering gore for those who revel in being traumatized. The show holds nothing back except Spider-Man, who was not involved as expected. He appears to contribute little to the narrative around episode 3, disappears, then he offers some support, fights some zombies, and that's it. Disappointment over Spider-Man's minimal involvement aside, Zombies still manages to be an excellent series, as the action sequences spike adrenaline. When shock isn't provoked over adored characters being mauled by the zombies, awe rises when the heroes hold nothing back to fight these monsters. The animators behind those sequences, on par with Man of Steel and Dragon Ball Z , deserve all of their flowers. All four episodes of Marvel Zombies will be released on Disney+ on September 24th. Rating: ★★★★☆ About Marvel Zombies © Marvel Premiere Date:  September 24, 2025 Episode Count:  4 Executive Producer/Showrunner: Bryan Andrews Writer: Zeb Wells Director: Bryan Andrews Production:  Marvel Animation Distribution:  Disney+ Cast:   Iman Vellani, Simu Liu, David Harbour, Awkwafina, Elizabeth Olsen, Randall Park, Florence Pugh, Paul Rudd, Wyatt Russell, Tessa Thompson, Hailee Steinfeld, Dominique Thorne, Todd Williams, Hudson Thames Synopsis: After the Avengers are overtaken by a zombie plague, a group of survivors discovers the key to bringing an end to the super-powered undead, racing across a dystopian landscape and risking their lives to save their world.

© Apple TV+ Slow Horses  is back with its fifth season for its yearly spy adventure, and once again, it proves why it’s one of the most consistently entertaining shows on television. What makes it so special is that it never feels like it’s going through the motions; instead, it finds fresh ways to put Jackson Lamb and his ragtag squad of misfits in the middle of gripping espionage plots while still leaning into the biting humor and darkly comic tone that fans have come to love. Watching this group of unlikely heroes stumble their way into saving the day remains as engaging as ever, and the formula still works beautifully. Gary Oldman returns as the fan-favourite Jackson Lamb, with Jack Lowden, Kristin Scott-Thomas, Christopher Chung, Aimee Effion-Edwards, and Saskia Reeves all reprising their roles. Hiba Bennani and Nick Mohammed are the new entrants this time around. Saul Metzstein, who directed season 3, returns to direct Season 5. This season adapts the book London Rules , where a mysterious group of mercenaries are trying to create Chaos in the heart of London. Even five seasons in, the series hasn’t lost a step: it’s sharp, funny, and thrilling in equal measure. I had reservations going into this season, given that Metzstein was recurring, as I thought that season 3 was the weakest season so far. It wasn't disappointing, but just ended up being a victim of its own incredibly high standards. But I was pleasantly surprised as this was a great season and arguably better than the last two. Metzstein really upped his game and justified his return. His direction was focused and creative and captured the visual tone really well. Adam Randall just won the Emmy for Best Director just last week, which came as a surprise to many, but that is a testament to the standards this show has set and continues to follow. Hopefully, it leads to more eyes on the show because even five seasons in, Slow Horses is yet to get its due, and it is sad to see such a great show go unnoticed for so long. This season strikes a terrific balance with its fast pace, tight storytelling, and avoids unnecessary subplots, which keeps every episode engaging and moving. And yes, it remains hilarious even while dealing in espionage and political danger. Few spy-thrillers mix in humor so well. It's definitely funnier than the last two seasons. The chemistry between characters works really well as always. You will believe that these people are long-time associates. Jack Lowden in Slow Horses S5.   © Apple TV+ Lamb, of course, is the backbone of the series — his foul-mouthed, imperious, and oddly paternal leadership of Slough House is a delight to watch. But the supporting cast are excellent too; seeing them save the country time and time again despite their unorthodox methods is a joy. Roddy Ho’s romantic subplot adds new shade. There are political tensions, new threats, and many moments where the stakes feel real. The plot this season is interesting, well-constructed, and interwoven with themes that feel timely. It's not perfect because some character arcs don’t fully land, and a few relationships or backstories feel underused, but those are relatively minor compared to how well most of it works. Slow Horses season 5 does what it does best: spy intrigue, character work, laughs, and tension. It’s definitely one of the show’s best seasons, even if not quite flawless. The show could benefit from bringing back a few characters from earlier seasons or introducing bold new ones to freshen things up for season 6. Still, this season is highly recommended. The moment the season finale ends, the thought that pops up is 'when is the next season coming?' and that is the best compliment I can give this season. If you still haven't discovered this show, you're missing out. Rating: ★★★★☆ Slow Horses © Apple TV+ About Slow Horses Season 5 Premiere Date:  September 17, 2025 Episode Count:  6 Executive Producer/Showrunner: Distribution:  AppleTV+ Cast:  Gary Oldman, Jack Lowden, Kristin Scott-Thomas, Christopher Chung, Aimee Effion-Edwards, Ruth Bradley, Nick Mohammed and Saskia Reeves. Synopsis: This darkly funny espionage drama follows a team of British intelligence agents who serve in a dumping ground department of MI5 due to their career-ending mistakes. Led by their brilliant but irascible leader, the notorious Jackson Lamb (Academy Award winner Sir Gary Oldman), they navigate the espionage world’s smoke and mirrors to defend England from sinister forces.

There is finally some movement on the long-awaited series adaptation of Margaret Atwood’s The Edible Woman . It was announced in 2019 that eOne acquired the television rights to the book, with Francine Zuckerman of Z Films and Karen Shaw of Quarterlife Crisis Productions producing it. There haven’t been any updates on the fate of the series — until now. Margot Robbie’s production company LuckyChap will now produce the series alongside eOne, Z Films and Shinawil. Eve Hedderwick Turner ( Anne Boleyn ) and Charlotte Wolf ( The Last Kingdom ) are brought on board to write the series. The logline for the series reads: Set across present-day London and 1960s Toronto, The Edible Woman is a psychological drama following the journey of two women to find themselves: a journey that uncovers fiercely guarded family secrets and ultimately leads them to each other. The Edible Woman is Margaret Atwood’s first published novel. It follows Marian, a young woman whose orderly, consumer-driven life begins to unravel. After becoming engaged, she starts to feel dissociated from her body. Soon, she begins projecting human qualities onto food, identifying with it so strongly that she becomes unable to eat. This story is still developing.

This review contains minor spoilers for 'Peacemaker' Season 2 Episode 5. Peacemaker © HBO Max After last week’s episode, which was a slow journey as the story struggled to make any genuine movement, we return this week with the fifth episode of Peacemaker as James Gunn finally gets the ball rolling with an episode that leaves the 11th Street Kids broken apart as Chris finally takes on the decision to change his life around for the better. This episode is brutal when exploring the emotions of its characters but also unfortunately continues to lack as it puts its supporting characters on the backburner while solely focusing on Chris, Rick Flag Sr, Emilia Harcourt and the journey of Rick Flag Sr finally getting his revenge, which we get close to in this episode. Now, the show’s titled Peacemaker, and rightfully so; this season has focused in great detail on Chris, and the spotlight never comes off him, but with how well James Gunn wrote his supporting cast of characters the previous season, it’s sad to see that Adebayo gets boiled down to his chauffeur and a prostitution joke. Adrian hasn’t also been given much to work with this season, and while he’s always been the comedic relief in a show that already has a ton of it, he’s not said or done anything worthwhile in this second season. This season clearly isn’t about them, but the first few episodes of this season made the point that they’ve also been affected by the events of the previous season, and yet it seems like James Gunn has simply forgotten that in favour of giving us this Chris/A.R.G.U.S.-centric story. The episode opens up with Rick Flag Jr.’s funeral with his father, Harcourt and Economos in attendance. This scene further builds upon the relationship between the two, with Rick Flag Sr. knowing about her relationship with her son. Their relationship is solidified in this episode; he trusts her due to the simple previous relationship she held. Harcourt proves in this episode that she isn’t selfish; she warned Chris from attending the meet-up, saved him from being shot by the recently revealed cybernetically enhanced Sasha Bordeaux and persuaded Economos to get him legally booked to prevent Flag Sr from killing him. As much as she tries not to show it, she cares for and loves her friends despite the differences they may have. We have to give Chris his flowers, as when he’s taken to the interrogation room with cameras and mics turned off with no witnesses around, he doesn’t try to talk himself out of the intense and brutal beating he’s about to receive. He tries to apologise to Rick Flag Sr. about killing his son, breaking down and opening up his heart to him, but that will never be enough for a father who’s face-to-face with his son’s killer. Chris has been filled with guilt and shame over the death of Rick Flag Jr., and this is the first time where he might be able to get a sense of relief, taking a beatdown to near death from the father of the man who haunts him. John Cena as Chris/Peacemaker and Brandon Stanley as Kline in Peacemaker Season 2 © HBO Max The Eagly storyline continues into this episode with Red St Wild on the hunt to take him down after using his magical ritual (hopefully a likely connection to the Red) to track him down. While I’ve enjoyed seeing this all play out and the reveal of Eagly being this mythological prime eagle (hopefully also connected to the Red) was surprising and it’s a nice change of pace from the main storyline, I can’t help but be disappointed that I’m thoroughly enjoying a side story with an eagle instead of a side story that could’ve involved the likes of Adrian or Adebayo. This also all perfectly works because Chris depicts Eagly as this innocent bird that just happens to come across fingers instead of taking them from people violently. The ending of this episode is the single most important scene of the season. Chris has finally gotten confirmation that Harcourt does not reciprocate the same feelings for him due to her relations with Rick Flag Jr, and he respects that. That also doesn’t mean he has to live with that decision, knowing that there’s an alternate reality out there with everything he wants. It might be a selfish decision, as he leaves everyone behind despite leaving a note which leaves any mention of Adrian out (poor Adrian), but during this specific moment in time, he has the strong belief that everyone’s life would be better without him as part of the equation. Chris has jumped back into the alternate reality with Eagly right behind and Judomaster sneaking his way through before it closes off for good. The 11th Street Kids are now finally reunited and determined to bring Chris back safely. With A.R.G.U.S. on their tail, it’s likely we’re about to deal with a lot of dimension-hopping which might affect the future of the DCU. James Gunn has mentioned Episodes 6-8 being the best episodes of the season with 6 and 8 specifically being his favoutite pieces of work that he’s ever written and directed. Hopefully, he isn’t all talk, and we have something to look up to in terms of the show’s writing in term of its side characters. Rating: ★★★1/2 Peacemaker . © DC Studios x HBO Max About Peacemaker Season 2 Premiere Date : August 21, 2025 Episode Count : 8 Executive Producer/Showrunner : James Gunn Writer : James Gunn Director : James Gunn, Greg Mottola, Peter Sollett, Althea Jones Production : DC Studios, Troll Court Entertainment, The Safran Company Distribution : HBO Max Cast : John Cena, Danielle Brooks, Jennifer Holland, Freddie Stroma, Steve Agee, Robert Patrick, Frank Grillo, David Denman, Sol Rodriguez, Tim Meadows Synopsis : In season 2, Peacemaker discovers an alternate world where life is everything he wishes it could be. But this discovery also forces him to face his traumatic past and take the future into his own hands.

Leighton Meester and Jared Padalecki are in talks to join Netflix’s untitled bodyguard romance movie, sources tell Nexus Point News. The film will be an adaptation of Katherine Center’s The Bodyguard . Meester will star as a bodyguard assigned to protect a famous movie star, played by Padalecki. To maintain his cover, she must pose as his girlfriend while spending the holidays at his family’s ranch in Montana — where chaos inevitably ensues. The details of the project are currently under wraps. The project is set to begin filming this December in Calgary, Alberta. Leighton Meester is best known for her iconic role as Blair Waldorf in Gossip Girl . She recently appeared in Apple TV+’s The Buccaneers and will next be seen in the second season of Nobody Wants This , which stars her husband Adam Brody alongside Gossip Girl co-star Kristen Bell. She repped by UTA and The Lede Company. Padalecki rose to fame as Sam Winchester in the long-running hit Supernatural . He is set to appear in the final season of The Boys , reuniting with his former co-star Jensen Ackles. Padalecki is repped by UTA and Industry Entertainment.

One Battle After Another © Warner Bros Paul Thomas Anderson has proven time and time again that he's one of the greatest auteurs of our time, and there's simply no denying it, having created masterpieces such as Magnolia , Boogie Nights , Phantom Thread and more. Anderson brings us yet another masterpiece in the form of One Battle After Another , a politically charged action movie that delivers audiences one of the most defining pieces of text regarding the current state of America. One Battle After Another is chaotic, exhilarating, and outrageously hilarious but never steers away from its message, keeping you on this fast-paced track through its near three-hour runtime. One Battle After Another follows a former group of revolutionaries known as the French 75, who reunite after 16 years of hiding once their sworn enemy, Colonel Steven J. Lockjaw (Sean Penn), resurfaces and kidnaps Willa Ferguson (Chase Infiniti), the daughter of Bob Ferguson (Leonardo DiCaprio), a washed-up ex-revolutionary and Perfidia Beverly Hills (Teyana Taylor). With Bob struggling in the midst of a drug and alcohol problem, he struggles without the aid of his wife after she abandoned them all those years ago, and unfortunately for Bob, his memory isn't up to par. Paul Thomas Anderson has portrayed with his previous films that usually their strongest factor are the characters we follow. Usually these characters are flawed, and with One Battle After Another , arguably every character aside from Willa is flawed. The cast that Anderson has pulled out for this film is easily its greatest achievement. There are several performances throughout that should easily be contenders for the upcoming award season, but with how timely and relevant this film is, they might be too scared to allow it any wins. Chase Infiniti as Willa Ferguson in One Battle After Another . © Warner Bros. Anderson has a trend of bringing on actors for their debut role and then them absolutely smashing it out of the park; he did it with Cooper Hoffman and Alana Haim (who also appears in this film) in Licorice Pizza , but Chase Infiniti might be the best piece of casting we've witnessed from one of his films. She acts opposite legends such as DiCaprio and Penn but manages to steal scenes from the two, giving one of the best performances of the year and making it seem like she's been in the acting game for years. Leonardo DiCaprio delivers a nuanced performance as Bob as he deals with his alcohol and drug abuse and tries to get his shit together to find the one person who means the entire world, providing us with the strong emotional core of the film with this father/daughter storyline that's being told in the background while also providing us with one of his funniest roles yet. From the dialogue itself to his line delivery, there wasn't a moment where he wasn't making me laugh when intended. Benicio del Toro also comes in to help lift up the mood, adding ever so slightly to the humour of the film and altogether just being the sensei we all need in our lives. Teyana Taylor only appears during the first act of the movie but leaves us with a performance that creates a long-lasting effect, allowing her presence to still be felt even once she has exited. She's an integral character to the film, coming from a family of revolutionaries but eventually struggling with motherhood, and while at first it may be played out to be jealousy, the movie breaks this down further into something that's personal and bigger than the revolution. Leonardo DiCaprio as Bob Ferguson in One Battle After Another. © Warner Bros. Outside of the star that is Chase Infiniti, Sean Penn is another strong standout that has you questioning what his true motives are during every scene. He's easily the best villain we've gotten in cinema this year, and Penn delivers such a chilling and menacing performance and puts us behind the eyes of a white supremacist that doesn't really know what he wants except for the idea of superiority. At the end of the day, as unpredictable as Lockjaw is, he's a senseless buffoon that just happens to be the scariest guy in the room because of the amount of power he holds within his rank. One Battle After Another is an explosive, chaotic film that's always on the go as Anderson tackles themes such as immigration, white supremacy, corruption and the many other issues that America is currently going through, overall providing a reflection on the extremism that takes place. He has a lot to say and does so through the means of satire without taking away from the seriousness of the topics at hand. It's a sincere movie that still provides hope by the end but also sends the message that the cycle will likely repeat itself and that it is indeed one battle after another, but that shouldn't take away from the idea that someday we might be able to change the state of America and the world are currently in right now. Paul Thomas Anderson has created a generational, timely masterpiece that we'll look back on ten years from now that will likely still be relevant and leave us with a lot to talk about. It's an achievement that he's been able to craft a film such as this, but I have a strong belief that he's one of the few filmmakers that had it in them to pull this off. Rating: ★★★★★ One Battle After Another . © Warner Bros. About One Battle After Another Premiere Date:  September 26, 2025 Writer: Paul Thomas Anderson Director: Paul Thomas Anderson Production: Ghoulardi Film Company Distribution:  Warner Bros. Pictures Cast:  Leonardo DiCaprio, Sean Penn, Teyana Taylor, Chase Infiniti, Benicio del Toro, Regina Hall Synopsis:  When an enemy resurfaces after 16 years, a group of ex-revolutionaries reunite to rescue the daughter of one of their own.

Neeraj Ghaywan returns with his sophomore feature Homebound , a full decade after Masaan . It is based on Basharat Peer’s 2020 New York Times article "Taking Amrit Home," and is a film that has a lot to say and has a strong message at its core. It is very much in line with Ghaywan’s sensibilities as it is empathetic, precise, and emotionally devastating while offering a relevant story that speaks directly to the present. Homebound stars Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor, and premiered in the Un Certain Regard at the 2025 Cannes Film Festival. It also has Martin Scorsese among its EPs. By weaving together the ongoing realities of caste discrimination in India with the struggles of migrant laborers during the COVID-19 pandemic, Homebound  becomes both a personal story and a broader social statement. Homebound  is a celebration of friendship first and foremost. The two leads, played with extraordinary conviction by Khatter and Jethwa, have chemistry that feels organic and lived-in, anchoring the story in moments of quiet charm and heartfelt tenderness. Their relationship gives the film its warmth, even as the larger forces surrounding them threaten to overwhelm. These performances are among the strongest of the year, layered with vulnerability and resilience, and they allow viewers to deeply connect with the characters’ journeys. The supporting cast is uniformly strong, but it is the leads who carry the film and make it soar. Ghaywan’s direction is both focused and restrained. He keeps the narrative straightforward, with no unnecessary subplots, ensuring the film remains sharply centered on its themes. At times, the execution feels a little too safe — there are moments where one wishes the depiction of caste violence and systemic cruelty were more unflinching. Yet even within that restraint, the message lands powerfully. Much like in Masaan , Ghaywan has an uncanny ability to craft moments that build quietly and then devastate with emotional force. The climax of Homebound is a stunning example of this, an ending that is certain to leave audiences in tears. Vishal Jethwa and Ishaan Khatter in Homebound . On the technical side, the film is equally strong. The cinematography captures both the beauty of everyday life and the stark realities of hardship, nailing a visual aesthetic that feels authentic. The pacing is excellent, striking a balance between contemplative stretches and moments of urgency, and the editing ensures that the emotional beats resonate. This is not a film that overstays its welcome; instead, it draws you in gently before breaking your heart. What makes Homebound  especially poignant is its relevance. By centering the experiences of migrant laborers during the COVID-19 pandemic it gives voice to the voiceless, shining a light on those whose struggles were too often ignored. It plays out like a tragedy, but also like a tribute — an acknowledgment of those who continue to fight for dignity, rights, and dreams in the face of systemic barriers. Ishaan Khatter and Vishal Jethwa are definitely on course to have great careers, but kudos must also go to Janhvi Kapoor for taking on a role that is small, unglamorous, and demanding in its simplicity. Her commitment to such material speaks volumes about her dedication as an actor. Likewise, it is refreshing to see Dharma Productions back a project as artsy and indie-minded as this one. Homebound  is heartfelt, devastating, and necessary. It manages to be both intimate and urgent, and is also a tender portrait of friendship that sheds light on systemic injustice. Its compassion, commentary, and social relevance make it a deeply moving film. It may not be perfect, but it makes for a very impressive sophomore feature from Neeraj Ghaywan with two powerhouse performances at its center. It is easily one of the best Indian movies of the year, and even though it may not get selected as India's official selection for the Oscars, it is an achievement that everyone involved can be proud of. Rating: ★★★★ About Homebound Premiere Date:  TBD Director:  Neeraj Ghaywan Producers: Apoorva Mehta, Karan Johar, Somen Mishra, Marijke Desouza, Adar Poonawalla. Production House: Dharma Productions Writers: Neeraj Ghaywan, Basharat Peer Cast:    Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor, Shalini Vatsa,

Phoe nix #14 © Marvel Comics If there’s one thing I can confidently say about Phoenix , it’s that Stephanie Phillips has made good on her promise. From the beginning, she said this series would explore Jean Grey balancing her identity as a human and mutant with the immense burden of being the Phoenix—and she’s absolutely delivered on that. Phoenix  #14 is a perfect example of how far this story has come. By now, it’s clear that Sara Grey isn’t exactly who she claims to be. She was created through Jean’s power as the Phoenix and is now bonded to the White Hot Room. This anomaly has caught the attention of the In-Betweener, an abstract cosmic being tasked with maintaining balance. Sara’s existence has tipped the scales, which means Phoenix’s choices are now under scrutiny as well. Cable insists that the only way to restore balance is to end Sara’s existence. Jean, in true Jean Grey fashion, refuses, declaring that if the universe can’t accept Sara, she will force it to accept her. Phoe nix #14 © Marvel Comics The issue takes a poignant turn with a flashback to Jean and Sara’s childhood. It’s Halloween, and they sneak off with some of Sara’s older friends for a seance at the site of a gruesome murder. Jean’s latent powers unexpectedly trigger, connecting with the lingering spirits. Sara quickly covers for her, brushing it off as a prank. This scene stands out as it shows that Sara has always protected Jean, which adds weight to Jean’s current determination to protect her in return. Back in the present, Jean enters a fragment of the White Hot Room tied to Sara, just outside a vision of their childhood home. She reflects on how she’s always feared her powers, whether as Marvel Girl or the Phoenix. But her thoughts are interrupted by the arrival of the In-Betweener. Their clash is both physical and philosophical as Jean argues that she has lost too much in life and will use her cosmic power to protect what she has left. It’s a complicated situation, and as a person, her compassion is relatable. As a cosmic force, her responsibility feels far greater. But the choice isn’t hers alone. The other abstract entities of the cosmos - Eternity, Infinity, The Living Tribunal, et al, descend upon the White Hot Room, bringing Sara with them. It’s one of the most visually stunning moments in the issue and literally made me sit up taller. The entities appear in humanoid forms similar to Jean, harkening back to their appearances in the story GODS . We haven’t seen Phoenix interact much with other cosmic forces, so this is a powerful shift. Yet it’s bittersweet. The entities make it clear: if Phoenix won’t destroy Sara, she won’t stand a chance against them all. Just when all seems lost, help arrives. In a moving final scene, we see the manifestations of past and former Phoenix hosts—both living and dead—arrive to stand by her side. It’s an interesting and unexpected turn of events, but satisfying, as I had wondered if we’d see any of the previous hosts during this run. Phoenix  #14 might just be the best issue of the series so far. Phillips masterfully captures Jean’s complexity, balancing her fierce defiance with her vulnerability and empathy. Mercado and Tartaglia also deliver some of their strongest visuals yet. Knowing this team’s work wraps up next issue does break my heart quite a bit, but I can’t wait to see the fiery finale they’ve prepared for this incredible story. Phoe nix #14 © Marvel Comics About Phoenix #14 Release Date:  August 27, 2025 Written by:  Stephanie Phillips Art by: Roi Mercado Cover by: Lucas Werneck Page Count: 25 Synopsis :  A BATTLE TO SHAKE THE STARS! The PHOENIX is a force of life, energy and balance! Powerful, known and feared across the galaxy! And while Jean Grey IS the Phoenix, she is also a human being - so now that her sister Sara has returned to life, Jean's humanity refuses to accept losing her again! Unfortunately, there are other forces operating in the cosmos - enormous, unstoppable, eternal forces - indifferent to the desires of a single woman. And even more unfortunately…they want Sara dead.

After the shocking finale of The Boys , which strategically introduced some of the young supes of Gen V, and the unsettling conclusion of Gen V ’s own first season featuring Homelander , anticipation for the continuation of this spin-off could not have been higher. Season 2 meets those expectations while also surpassing them in ways that feel both bold and unsettling. The series expands the world of The Boy s and establishes itself as a narrative with its own voice, where satire, social critique, and character study converge. Gen V Season 2 hides urgent questions beneath its bloody spectacle. The conflict between superhumans and humans stands as a metaphor for racism, xenophobia, and systemic inequality. The story becomes a mirror for contemporary political issues. The show reveals how institutions manipulate fear to preserve control while also exposing how susceptible the young are to indoctrination. Within the campus of Godolkin University, the season underlines the vulnerability of students who long for belonging and identity but are instead targeted by those in power who distort truth for political or corporate gain. Jaz Sinclair’s performance as Marie Moreau is the emotional core of the season. Her performance shifts effortlessly between strength and vulnerability while maintaining a charismatic presence. Marie embodies the painful paradox of being both victim and weapon within the system that exploits her. Maddie Phillips as Cate Dunlap delivers a performance just as impressing. Cate’s struggle with guilt, manipulation and isolation makes her one of the most conflicted and compelling chaarcters in the franchise. The addition of Hamish Linklater as Cipher deserves special mention. His calm, intellectual surface conceals menace, and his presence reshapes the mood of every scene he enters. Cipher embodies the paternal figure whose influence corrupts under the guise of mentorship. His quiet authority is often more disturbing than the explicit brutality that defines so much of the show’s violence. Beyond its characters, Gen V distinguishes itself through its storytelling discipline. The writing respects its audience: intelligent characters remain intelligent, choices carry weight, and actions have consequences. Unlike so many genre shows that trade logic for spectacle, Gen V maintains a sharp balance between shock and integrity. What makes this season remarkable is its ability to move past gore and nudity, which on the surface may appear to dominate the show. Beneath the spectacle lies a story deeply concerned with oppression, radicalization, and the reproduction of systemic power through the next generation. The college campus is a miniature society where ideals of freedom and rebellion collide with the machinery of control. Gen V Season 2 ultimately proves more engaging than recent seasons of The Boys . Where The Boys has started to increasingly rely on escalation and shock, Gen V invests in character depth and thematic resonance. It shows that the superhero genre, so often dismissed as shallow spectacle, can be used for cultural critique. Gen V Season 2 surpasses expectations with sharp satire, compelling performances, and powerful social critique. Rating: ★★★★☆ About Gen V Season 2 Gen V . © Prime Video Premiere Date:  September 17, 2025 Episode Count:  8 Executive Producer/Showrunner: Michele Fazekas, Eric Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Ken Levin, Jason Netter, Garth Ennis, Darick Robertson, Michaela Starr, Ori Marmur, Thomas Schnauz, Steve Boyum, Brant Engelstein Production:   Sony Pictures Television and Amazon MGM Studios, in association with Kripke Enterprises, Point Grey Pictures, and Original Film Distribution:  Prime Video Cast:   Jaz Sinclair, Lizze Broadway, Maddie Phillips, London Thor, Derek Luh, Asa Germann, Sean Patrick Thomas, Hamish Linklater Synopsis: School is back in session. As the rest of America adjusts to Homelander's iron fist, back at Godolkin University, the mysterious new Dean preaches a curriculum that promises to make students more powerful than ever. Cate and Sam are celebrated heroes, while Marie, Jordan, and Emma reluctantly return to college, burdened by months of trauma and loss. But parties and classes are hard to care about with war brewing between Humans and Supes, both on and off campus. The gang learns of a secret program that goes back to the founding of Godolkin University that may have larger implications than they realize. And, somehow, Marie is a part of it.

© Television Academy The biggest night in television is here! The 2025 Emmy Awards will air live on CBS and stream on Paramount+ at 8 p.m. ET / 5 p.m. PT in the U.S. This year’s ceremony will be hosted by Grammy-nominated comedian Nate Bargatze. A star-studded lineup of presenters will also take the stage throughout the night, including: Elizabeth Banks, Ike Barinholtz, Angela Bassett, Jason Bateman, Kathy Bates, Kristen Bell, Alexis Bledel, Sterling K. Brown, Stephen Colbert, Jennifer Coolidge, Alan Cumming, Eric Dane, Colman Domingo, Tina Fey, Walton Goggins, Tony Goldwyn, Lauren Graham, Kathryn Hahn, Mariska Hargitay, Justin Hartley, Charlie Hunnam, Jude Law, James Marsden, Christopher Meloni, Leanne Morgan, Julianne Nicholson, Jenna Ortega, Sarah Paulson, Evan Peters, Parker Posey, Jeff Probst, Phylicia Rashad, Hiroyuki Sanada, Anna Sawai, Michael Schur, Sydney Sweeney, Sofia Vergara, Jesse Williams, and Catherine Zeta-Jones. We’ll be updating the winners live right here as they’re announced so stay tuned for the full list! Best Actor in a Comedy Series Jeremy Allen White, The Bear Seth Rogen, The Studio  (WINNER) Adam Brody, Nobody Wants This Jason Segel, Shrinking Martin Short, Only Murders in the Building Best Actress in a Comedy Series Jean Smart, Hacks  (WINNER) Kristen Bell, Nobody Wants This Ayo Edebiri, The Bear Quinta Brunson, Abbott Elementary Uzo Aduba, The Residence Best Supporting Actress In A Drama Series Patricia Arquette, Severance Carrie Coon, The White Lotus Katherine LaNasa, The Pitt  (WINNER) Julianne Nicholson,  Paradise Parker Posey, The White Lotus Natasha Rothwell, The White Lotus Aimee Lou Wood, The White Lotus Best Supporting Actor In A Drama Series Zach Cherry, Severance Walton Goggins, The White Lotus Jason Isaacs,  The White Lotus James Marsden, Paradise Sam Rockwell, The White Lotus Tramell Tillman, Severance  (WINNER) John Turturro,  Severance Best Actress in a Drama Series Kathy Bates , Matlock Sharon Horgan, Bad Sisters Britt Lower, Severance  (WINNER) Bella Ramsey, The Last of Us Keri Russell, The Diplomat Best Supporting Actress In A Comedy Series Liza Colón-Zayas, The Bear Hannah Einbinder, Hacks  (WINNER) Kathryn Hahn , The Studio Janelle James, Abbott Elementary Catherine O’Hara,  The Studio Sheryl Lee Ralph, Abbott Elementary Jessica Williams, Shrinking Best Reality Competition Program The Amazing Race RuPaul’s Drag Race Survivor Top Chef The Traitors  (WINNER) Best Supporting Actor In A Comedy Series Ike Barinholtz, The Studio Colman Domingo, The Four Seasons Harrison Ford, Shrinking Jeff Hiller, Somebody Somewhere  (WINNER) Ebon Moss-Bachrach, The Bear Michael Urie, Shrinking Bowen Yang, Saturday Night Live Best Directing For A Comedy Series The Bear Hacks Mid-Century Modern The Rehearsal The Studio  (WINNER) Best Directing For A Limited Or Anthology Series Or Movie Adolescence  (WINNER) Dying For Sex The Penguin The Penguin Sirens Zero Day Best Directing For A Drama Series Andor The Pitt The Pitt Severance Severance Slow Horses  (WINNER) The White Lotus Scripted Variety Series Last Week Tonight With John Oliver  (WINNER) Saturday Night Live Best Writing For A Drama Series Andor  (WINNER) The Pitt . The Pitt Severance Slow Horses The White Lotus Best Supporting Actor In A Limited Or Anthology Series Or Movie Javier Bardem, Monsters: The Lyle And Erik Menendez Story Bill Camp, Presumed Innocent Owen Cooper, Adolescence  (WINNER) Rob Delaney, Dying For Sex Peter Sarsgaard, Presumed Innocent Ashley Walters,  Adolescence Best Writing For A Limited Or Anthology Series Or Movie Adolescence  (WINNER) Black Mirror Dying For Sex The Penguin Say Nothing Best Writing For A Comedy Series Abbott Elementary Hacks The Rehearsal Somebody Somewhere The Studio  (WINNER) What We Do In The Shadows Best Variety Special (Live) The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar Beyoncé Bowl The Oscars SNL50: The Anniversary Special  (WINNER) SNL50: The Homecoming Concert Writing For A Variety Series The Daily Show Last Week Tonight With John Oliver  (WINNER) Saturday Night Live Best Supporting Actress In A Limited Or Anthology Series Or Movie Erin Doherty,  Adolescence  (WINNER) Ruth Negga, Presumed Innocent Deirdre O’Connell, The Penguin Chloë Sevigny, Monsters: The Lyle And Erik Menendez Story Jenny Slate, Dying For Sex Christine Tremarco, Adolescence Best Lead Actress in A Limited Or Anthology Series Or Movie Cate Blanchett, Disclaimer Meaghann Fahy, Sirens Rashida Jones, Black Mirror Cristin Milioti, The Penguin  (WINNER) Michelle Williams, Dying for Sex Best Lead Actor in A Limited Or Anthology Series Or Movie Colin Farrell, The Penguin Brian Tyree Henry, Dope Thief Cooper Koch, Monsters: The Lyle And Erik Menendez Story Jake Gyllenhaal,  Presumed Innocent Stephen Graham, Adolescence (WINNER) Best Talk Series The Daily Show Jimmy Kimmel Live The Late Show With Stephen Colbert (WINNER) Best Limited Or Anthology Series Or Movie Adolescence (WINNER) Black Mirror Dying for Sex Monsters: The Lyle and Erik Menendez Story The Penguin Best Comedy Series Abbott Elementary The Bear Hacks Nobody Wants This Only Murders in the Building What We Do in the Shadows Shrinking The Studio  (WINNER) Best Lead Actor in a Drama Series Noah Wyle, The Pitt   (WINNER) Sterling K. Brown, Paradise Adam Scott, Severance Pedro Pascal,  The Last of Us Gary Oldman, Slow Horses Best Drama Series Andor The Diplomat The Last of Us Paradise The Pitt (WINNER) Severance Slow Horses The White Lotus Best Guest Actor in a Comedy Series Bryan Cranston, The Studio (WINNER) Jon Bernthal, The Bear Dave Franco, The Studio Ron Howard, The Studio Anthony Mackie, The Studio Martin Scorsese, The Studio Best Guest Actress in a Comedy Series Zoe Kravitz, The Studio   Olivia Colman, The Bear Jamie Lee Curtis, The Bear Cynthia Erivo, Poker Face Julianne Nicholson, Hacks  (WINNER) Best Guest Actor in a Drama Series Giancarlo Esposito, The Boys Scott Glenn, The White Lotus Shawn Hatosy, The Pitt  (WINNER) Joe Pantoliano, The Last Of Us Forest Whitaker, Andor Jeffrey Wright, The Last Of Us Best Guest Actress in a Drama Series Jane Alexander, Severance Gwendoline Christie, Severance Kaitlyn Dever, The Last Of Us Anthony Mackie, The Studio Cherry Jones, The Handmaid's Tale Catherine O'Hara, The Last Of Us Merritt Wever, Severance  (WINNER) Best Animated Series Arcane  (WINNER) Bob's Burgers Common Side Effects Love, Death + Robots The Simpsons Best Production Design For a Narrative Contemporary Program (One Hour) The Last of Us The Penguin The Residence Severance  (WINNER) The White Lotus Best Production Design For a Narrative Period or Fantasy Program (One Hour) Andor  (WINNER) Bridgerton Dune: Prophecy 1923 Pachinko Best Production Design For a Narrative Program (Half-Hour) Hacks Mid-Century Modern Only Murders In The Building The Studio  (WINNER) What We Do In The Shadows Best Casting For a Comedy Series The Bear Hacks Only Murders In The Building Shrinking The Studio  (WINNER) Best Casting For a Drama Series The Last Of Us The Pitt  (WINNER) Severance Slow Horses The White Lotus Best Casting For A Limited Or Anthology Series Or Movie Adolescence  (WINNER) Black Mirror Dying For Sex Monsters: The Lyle And Erik Menendez Story The Penguin Best Choreography For A Scripted Programming Bridgerton Doctor Who Etoile  (WINNER) Severance Will Trent Best Cinematography (Half-Hour) Emily In Paris Georgie & Mandy's First Marriage Hacks The Righteous Gemstones The Studio  (WINNER) Best Cinematography (One Hour) Andor The Day Of The Jackal Etoile Pachinko Severance  (WINNER) The White Lotus Best Cinematography For A Limited Or Anthology Series Or Movie Adolescence  (WINNER) American Primeval Disclaimer The Penguin Zero Day Best Period Costumes American Primeval Bridgerton  (WINNER) Monsters: The Lyle And Erik Menendez Story 1923 Wolf Hall Best Fantasy/Sci-Fi Costumes Agatha All Along Andor  (WINNER) Black Mirror Dune: Prophecy House Of The Dragon Best Contemporary Costumes Emily In Paris Hacks The Righteous Gemstones The Studio  (WINNER) The White Lotus Best Contemporary Costumes For A Limited Or Anthology Series Or Movie Adolescence American Horror Stories Dying For Sex The Penguin  (WINNER) Sirens Best Picture Editing For A Drama Series Andor – Who Are You?  (WINNER) The Last Of Us – Through The Valley Severance – Attila Severance – Chikhai Bardo Severance – Cold Harbor The White Lotus – Amor Fati Best Picture Editing For A Multi-Camera Comedy Series The Conners – The Truck Stops Here Frasier – My Brilliant Sister  (WINNER) Mid-Century Modern – Here’s to You, Mrs. Schneiderman The Upshaws – Buy Now The Upshaws – Grifter, Grifter Best Picture Editing For A Single Camera Comedy Series The Bear – Tomorrow Hacks – I Love LA The Rehearsal – My Controls The Rehearsal – Pilot's Code The Studio – The Promotion  (WINNER) What We Do In The Shadows – The Finale Best Picture Editing For A Limited Or Anthology Series Or Movie Monsters: The Lyle And Erik Menendez Story – Blame It On The Rain  (WINNER) The Penguin – Bliss The Penguin – Cent'anni The Penguin – A Great Or Little Thing Sirens – Exile Best Contemporary Hairstyling Abbott Elementary – 100th Day Of School Emily In Paris – Back On The Crazy Horse Hacks – I Love LA The Penguin – Cent'anni  (WINNER) The Studio – CinemaCon The White Lotus – Amor Fati Best Title Design Dark Matter The Decameron House Of The Dragon The Penguin Severance  (WINNER) The White Lotus Best Contemporary Makeup (Non-Prosthetic) Grotesquerie – Unplugged The Last Of Us – Day One Only Murders In The Building – Valley Of The Dolls The Penguin – Cent'anni  (WINNER) The Pitt – 7:00 P.M. The White Lotus – Full-Moon Party Best Period Or Fantasy/Sci-Fi Makeup (Non-Prosthetic) Anne Rice's Interview With The Vampire – Do You Know What It Means To Be Loved By Death House Of The Dragon – The Red Dragon And The Gold  (WINNER) Monsters: The Lyle And Erik Menendez Story – Brother, Can You Spare A Dime? The Righteous Gemstones – Prelude What We Do In The Shadows – Come Out And Play Best Prosthetic Makeup House Of The Dragon – The Red Sowing The Last Of Us – Feel Her Love The Penguin – After Hours  (WINNER) The Pitt – 4:00 P.M. Saturday Night Live – Host: Timothée Chalamet Best Music Composition For A Series (Original Dramatic Score) Andor – Who Are You? Based On A True Story – Relapse Cobra Kai – Blood In Blood Out Severance – Cold Harbor  (WINNER) The Studio – The Missing Reel The White Lotus – Amor Fati Best Music Composition For A Limited Or Anthology Series, Movie Or Special (Original Dramatic Score) Black Mirror – Hotel Reverie Black Mirror – USS Callister: Into Infinity Dying For Sex – It's Not That Serious Monsters: The Lyle And Erik Menendez Story – Spree The Penguin – After Hours  (WINNER) The Supremes At Earl's All-You-Can-Eat Best Original Music And Lyrics Agatha All Along – Circle Sewn With Fate / Unlock Thy Hidden Gate / “The Ballad of the Witches' Road” Andor – Who Are You? / “We are the Ghor (Planetary Anthem)” The Boys – We'll Keep The Red Flag Flying Here / “Let's Put the Christ Back in Christmas”  (WINNER) SNL50: The Anniversary Special / “Adam Sandler's Song: 50 Years” Will & Harper / “Harper and Will Go West” Best Original Main Title Theme Music Dept. Q Dune: Prophecy Lazarus The Residence The White Lotus  (WINNER) Your Friends & Neighbors Best Music Supervision Hacks – I Love LA The Last Of Us – The Price The Righteous Gemstones – You Hurled Me Into The Depths, Into The Very Heart Of The Seas Severance – Cold Harbor The Studio – The Promotion  (WINNER) The White Lotus – Same Spirits, New Forms

Sources tell Nexus Point News that Rupert Friend is in talks to star in The Boy in the Iron Box , based on the series of books from Guillermo del Toro and Chuck Hogan. Friend will star as Liev, the leader of a Russian Special Forces crew who crash lands in a mountain range in China with his crew. They take shelter and discover an iron box housing the corpse of a mummified entity who terrorizes them. Del Toro will produce for Netflix with his longtime collaborator J. Miles Dale. David Prior ( The Empty Man ) is set to adapt the series and direct. Prior previously collaborated with del Toro on “The Autopsy” segment of Guillermo del Toro’s Cabinet of Curiosities , del Toro’s Netflix horror anthology. Del Toro is collaborating once again with Netflix, with Frankenstein set to release later this year, starring Jacob Elordi and Oscar Isaac.  Friend is best known for his roles in Pride & Prejudice , The Boy in the Striped Pyjamas , and his 5-season long run on Homeland which earned him an Emmy nomination. Friend most recently starred in the latest entry in the Jurassic Park  franchise, Jurassic World Rebirth . Friend is repped by UTA and Brillstein Entertainment Partners. Production is set to begin in October in Toronto.

This article contains spoilers for The Wrong Paris . The Wrong Paris © Netflx Every so often, a film comes along that seems designed to test the limits of how much second-hand embarrassment one audience can withstand. The Wrong Paris , arriving on Netflix on September 12, is one of those films. It takes a promising premise – art school dreams colliding with the absurdity of reality television – and turns it into a rom-com that is equal parts frustrating, entertaining, and occasionally absurd. At the heart of the story is Dawn (Miranda Cosgrove). Dawn has been saving for her Paris fund, a pot of money meant to help her get to France to study at the prestigious Académie d’Art de Paris. The dream feels within reach until reality sets in. She receives a letter confirming her acceptance to the school, only to realise that her application for financial aid has been rejected. With tuition and living expenses estimated at around $30,000 a year, Dawn’s savings suddenly look pitiful. Worse still, she had dipped into it to pay medical bills for her grandmother Birdie (Frances Fisher) after a nasty fall that her insurance didn’t cover in its entirety. Dawn has enough for her first year, but nothing beyond that. It's at this moment that the film turns its focus to reality TV. Dawn’s sister Emily ( Emilija Baranac) suggests she audition for The Honey Pot, a reality dating show where 20 women compete for the affection of one man, or a tidy sum of $250,000. There’s even a $20,000 appearance fee. Dawn scoffs at the very idea, pointing out that surely no one would choose the cowboy over the cash. But the combination of Birdie’s gentle encouragement and the promise of financial relief nudge her towards signing up. The irony, of course, is that Dawn and Trey ( Pierson Fodé ) have already crossed paths. In a small-town bar scene early in the film, he asks her to dance; their chemistry is obvious until a drunken insult from another man breaks it. Dawn’s response, dragging the man outside and tossing a drink over him, is meant to establish her spirit, though it plays more cringe than triumphant. Still, it sets up Trey’s fascination with her and explains why, when she later arrives on his ranch as a reluctant contestant, he refuses to let her go. Here, the film briefly flirts with potential. The contestants believe they’re being whisked off to France, only to find themselves circling in a plane for nine hours before touching down in Paris, Texas. The sight of twenty glamorous hopefuls (you cannot convince us that Miranda Cosgrove isn’t one of them, Netflix) raging at this revelation is hilarious and is a rare moment where the film knows exactly what it is. (L to R) Miranda Cosgrove as Dawn and Pierson Fodé as Trey in The Wrong Paris . © Diyah Pera/Netflix Unfortunately, what follows rarely matches that high point. The show’s bachelor, Trey, is introduced on horseback in one of The Wrong Paris ’ many unintentionally comedic moments. Following their prior meeting, he is smitten with Dawn, which removes any element of tension. She begs him to vote her off as the appearance fee would be enough for her two-year course, but he refuses, keeping her in the competition even as she fights against it. The film then settles into a repetitive loop of reality-show antics. The contestants battle for one-on-one dates through axe-throwing and boot camp challenges. The prizes are extra time with Trey and a $5,000 bonus. Dawn loses her first contest, spies on Trey’s date with rival Lexie ( Madison Pettis ), and inevitably ends up falling into the water. It’s slapstick of the most mortifying variety, played for laughs but rarely landing them. When she eventually wins a date, it’s spent making watermelon mint salad and succotash while Trey jokingly asks when they’ll get married. However, you get the feeling that he isn’t joking at all. The supporting cast, at least, injects some much-needed life into The Wrong Paris . Rachel ( Yvonne Orji ) steals every scene she’s in with dry one-liners. “Don’t look at me, that’s your nepo hire” is a particular highlight. Elsewhere, Lexie’s scheming is straight from the pantomime school of villainy, but at least it gives the story some momentum. Yvonne Orji as Rachel in The Wrong Paris . © Diyah Pera/Netflix As the competition progresses, Trey continues to single Dawn out, just as much as she seeks him. But when Lexie exposes Dawn’s art school letter, Trey is forced to confront the truth. Instead of supporting her, he chooses to keep Lexie over her in the next elimination round. Determined to follow her dreams, Dawn is still headed for Paris but is now heartbroken. Despite its predictability, the script does toy with a bittersweet ending, only to lurch back into cliché when Trey realises Dawn forfeited her winnings for love. He chases her down, declares he’ll fund her schooling, and proposes with the show’s inevitable ultimatum: will she take the money or the honey? She takes the money, sealing the honey with a kiss.  By the time the credits roll, the message is muddled. Dawn is allowed her art school dream, but only after a man swoops in to rescue her. The final scenes attempt to balance independence with romance - she takes the money for Paris but still chooses Trey - yet it feels like a compromise rather than a statement. Cosgrove is engaging, but the film’s inability to commit to either satire or sincerity leaves it stranded somewhere in the middle. The Wrong Paris  is watchable enough for a night in, but you’ll cringe more than you’ll swoon. Rating: ★★☆☆☆ The Wrong Paris . © Netflix About The Wrong Paris Premiere Date:  September 12, 2025 Executive Producers: Miranda Cosgrove, Galen Fletcher, Janeen Damian, Amanda Phillips, Jimmy Townsend, Vincent Balzano, Kelly Frazier  Writer: Nicole Henrich  Director: Janeen Damian  Production:  MCPA, Brad Krevoy Productions Distribution:  Netflix Cast:   Miranda Cosgrove, Pierson Fodé, Madison Pettis, Madeleine Arthur, Frances Fisher, Yvonne Orji, Torrance Coombs, Christin Park, Emilija Baranac, Hannah Stocking Synopsis: A young woman (Miranda Cosgrove) joins a dating show thinking it's in Paris, France, but it's actually in Paris, Texas. She plots a way to get eliminated until her unexpected feelings for the bachelor (Pierson Fodé) complicate her plans.